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"Escape to the Chateau" TV stars Dick & Angel Strawbridge Premiere Their First Theater Tour of USA & Canada Dick and Angel Strawbridge, the stars of the hit television series, "Escape To The Chateau," head to the US and Canada with their hugely successful "Dare to Do It Tour." The six-city North American tour opens in Los Angeles this Thursday, 24 February 2024, and includes stops in Seattle, Atlanta, Toronto, Boston, and New York City. Tour dates and venues are listed below. All tickets are on sale now. Visit thechateau.tv/us-tour-2024 for more information. Los Angeles, CA at The Theatre at Ace Hotel (February 24, 2024) Seattle, WA at Paramount Theatre (February 26, 2024) Atlanta, GA at Atlanta Symphony Hall (March 1, 2024) Toronto, ON at Meridian Hall (March 5, 2024) Boston, MA at Emerson Colonial Theatre (March 8, 2024) New York City at The Town Hall (March 11, 2024) In 2014, Dick and Angel embarked on an adventure of a lifetime with their two children, Arthur and Dorothy, and Angel’s parents, Jenni and Steve. The dream was to find their “forever home” that could double as a business and sustain their multi-generational family. After years of searching, they found Chateau de la Motte Husson, a run-down fairy-tale castle located in the stunning Pays da la Loire, France. It had no water, electricity, or heating and came with a 300-page survey of why not to buy it! It was the start of an incredible journey that no one could predict.
Millions of viewers across the world have been enthralled over the past few years by the family’s adventures. However, retired Lieutenant Colonel, engineer, and chef Dick and his entrepreneur and designer wife Angel still have many untold tales to tell. Dick and Angel state, “We are so excited about our family adventure to the US and Canada. It’s such an honor for us to finally meet fans of Escape To The Chateau across the pond, and we can’t wait to give our audience a deeper insight into our lives and who we are. We’re looking forward to having lots of fun on our exciting whistle-stop tour!” Hot on the heels of sold-out tours in the UK and Australia/New Zealand, audiences can expect fascinating insights into what inspired the husband-and-wife team, who fell in love in 2010, to bring their fairy-tale castle back to life and turn it into the flourishing and continually evolving business it is today. They may be an ‘odd couple,’ but the charismatic pair have a love story to share. During this highly entertaining evening, the duo explains who they are, where they have come from, how they met, and why they dared to do it! With stories to tell, games to play, and laughs to share, join Dick and Angel for a truly unmissable night at the theatre. Interested media who wish to obtain show tickets and arrange interviews with Dick and Angel Strawbridge are invited to contact Workhouse, CEO, Adam Nelson via nelson@workhousepr.com In the realm where narratives intertwine with history’s fabric, “The Wonder and the Worry” emerges as a compelling documentary feature, chronicling the legacy of two generations of photographers who sculpted the narrative of National Geographic Magazine. Directed by David Baker and lensed by Saskia Madlener, this cinematic journey unfolds against the backdrop of the evolution of modern journalism. Watch “The Wonder and the Worry” Official film trailer here: https://www.youtube.com/watch?v=oPKxr5HNvGQ&themeRefresh=1. At its core lies the compelling story of Chris and Louise Johns, a father-daughter duo whose photographic prowess encapsulated the essence of our world amidst journalism’s shifting tides. From Chris’ humble beginnings amidst Oregon’s rural landscapes to his ascendancy to the editorial helm of National Geographic, and Louise’s navigation of the contemporary photojournalism landscape, the film immerses viewers in the complexities of storytelling amid digital disruption and commercial imperatives. In candid interviews, Chris Johns reflected on his storied career, Q: What was it like having your daughter, Louise, following in your footsteps as a photographer? A: “When Louise was growing up, I never imagined her being a photographer. As she attended the University of Montana and her interest in photography grew, I was delighted. From that moment on, I had no desire to pressure or push her. I wanted Louise to find her voice, follow her passions and live a meaningful and satisfying life. To work and collaborate with Louise is one of the greatest pleasures of my life.” Q: What emotions did you experience when watching the finished documentary for the first time? A: “When watching The Wonder and the Worry, I was deeply touched. It reinforced how fortunate I am to have worked for National Geographic, but, more importantly, how blessed I am to have such a wonderful family. It also brought back fond memories of the people in my life who have lifted and supported me.”Johns shared profound insights garnered from the sweeping vistas of Africa’s Great Rift Valley to the hallowed halls of National Geographic headquarters. “An accomplished journalist has always had to be curious, open, brave, and nimble,” he muses. “What has changed are the tools for telling a story and how stories are shared… The most challenging part is finding a financial model that supports journalists doing relevant, important work.” His words poignantly encapsulate the industry’s struggle to balance tradition with innovation amidst the digital revolution. Transitioning from acclaimed photographer to Editor-in-Chief of National Geographic, Johns remarks, “National Geographic magazine gave me the opportunity to reach a large international audience… years of being a field photographer taught me the value of being open to an abundance of ideas, always being curious, and adapting.” His sentiments echo the resilience inherent in journalism’s ever-evolving landscape. Director David Baker also added his perspective on the film’s exploration of journalism’s metamorphosis: “Through ‘The Wonder and the Worry,’ we aimed to capture the essence of storytelling in the face of modern challenges. National Geographic has epitomized journalistic excellence for decades, and this film pays homage to the dedication and vision of individuals like Chris and Louise Johns.” In our exclusive Q&A, Baker continued to underscore the film’s commitment to honoring storytelling’s legacy while navigating the complexities of the digital age. Yet, amidst the triumphs of exploration lie shadows of uncertainty—a stark reminder of the challenges confronting modern media. As Chris and Louise navigate this terrain, they confront the realities of an industry grappling with commercial pressures, where the pursuit of truth contends with the demands of the marketplace. Q: How did you decide to make a film about Chris and Louise Johns? A: “Chris is an alum of Oregon State University, where I work. I was teaching a documentary film workshop during the Pandemic, and I invited Chris to give a guest lecture via Zoom. He dialed in from Montana and shared some of his photos and the stories behind them. I knew of his work, but seeing those photos shocked me: I’d grown up with them in the 80s and 90s. I also recalled the magazines he edited, the strong journalism and amazing covers. Those stories shaped me. I knew right away that here was a story waiting to happen. At first, I thought it might be a short documentary, but then I met Louise and it was clear that there was much more to the story than a mere profile.” Q: The film is produced by Oregon State University…isn’t that unusual for a feature film? A: “I’d say it’s less common than it has been, but not unusual. Big research universities like Oregon State have a long history of storytelling. I had a predecessor named Jim Larison. He was an ecologist and filmmaker on staff who made dozens of amazing films in the 80s and 90s, and many of them were collaborations with the National Geographic Society. They were science based and some had a big impact on conservation and shaping public policy, like the establishment of the Roadless Rule, which was helped along by his film Ancient Forests. Our team at Oregon State follows in Jim’s footsteps, making documentaries about important issues faced by the world. This kind of deep storytelling is part of our mission as an institution. And it also has the benefit of reflecting positively on our brand. I believe public universities have a responsibility to tell fact-based stories to a wide audience to drive solutions. More and more universities are acting like corporations, with top-heavy administrations and corporate style communications. But we’re also losing trust. We blindly imitate corporations at our peril. I think Oregon State is hanging onto it roots as a public good and a benefit to society, and I think that through our work in deep storytelling, we’re helping that. Tools for cinematic storytelling have been democratized greatly, and that allows us to work with very small budgets. Still such work for the public good is constantly under threat and needs to be protected.” Against this backdrop, “The Wonder and the Worry” emerges as a poignant meditation on storytelling’s power to shape our understanding of the world. Premiering at prestigious festivals such as the Big Sky Documentary Film Festival and the Princeton Environmental Film Festival, the film invites audiences to contemplate the wonder of our planet and the worries threatening its fragile balance.
As the credits roll and the lights dim, “The Wonder and the Worry” leaves an indelible mark—a testament to storytelling’s enduring power to illuminate the human experience. In a world besieged by uncertainty, it serves as a beacon of hope—a reminder that, in the hands of visionary storytellers, narrative power transcends the barriers of time and space. Continuing its cinematic odyssey, “The Wonder and the Worry” sheds light on journalism, photography, and environmental advocacy’s intersection. From the American West’s sprawling landscapes to media institutions’ bustling corridors, the film unveils the intricate tapestry of storytelling that defines our collective narrative. For more about the film, visit the official website here Catch “The Worry and Wonder” at these Film Festivals February 25, 2024 World Premiere: Big Sky Documentary Film Festival, Wilma Theater, 6:30 pm April 5 – 14, 2024 Princeton Environmental Film April 17 – 18, 2024 Sneak Preview – PRAx Theater, Corvallis, Oregon, 7 pm Garden State Film Festival Rolls out the Red Carpet in Celebration of 22 Years A Star-Studded Journey: Hollywood Glamour at New Jersey’s Premier Film Fest Asbury Park, New Jersey - The Garden State Film Festival (GSFF), renowned as New Jersey’s cornerstone of independent film, announces its dynamic lineup for the 2024 festival. Celebrating its 22nd year, GSFF rolls out the red carpet for a fusion of world premieres, Hollywood luminaries, and interactive industry panels. Positioned as a non-profit catalyst for economic growth, the festival is a beacon for Asbury Park’s cultural and commercial prosperity. From 21-24 March 2024, GSFF transforms Asbury Park and Cranford into a cinematic paradise, showcasing over 200 films from 14 countries in eight venues. The festival is a celebration of diversity, creativity, and the art of storytelling, with a variety of films, engaging panels, live podcasts, and not-to-be-missed parties. This year’s lineup boasts notable figures such as Matthew Modine, Bridget Moynahan, Ed Begley Jr., Armand Assante, Lisa Edelstein, Mad Money's Jim Cramer, Richard Schiff, Carla Raij, Janice Kovach, and sports legends Louis Neglia and Joe Pyfer. The GSFF is a testament to New Jersey’s storied film history and a hub for producers, directors, actors, investors, and industry talents. The festival honors the booming filmmaking scene in New Jersey, bolstered by Governor Murphy’s attractive financial incentives and a nurturing film-friendly environment. Special categories like High School and Younger and Home Grown highlight local talents and productions, reinforcing New Jersey’s diverse and scenic landscapes as a filmmaking destination. Media Interested media who wish to request Garden State Film Festival coverage, or interview the executives, and filmmakers, contact Workhouse, CEO, Adam Nelson via nelson@workhousepr.com Friday 3/22/24 The Asbury Hall 8:30 PM The Martini Shot This existential drama follows an ailing movie director as he begins to shoot what he believes to be his final work of art. What starts out as a normal movie ends up being an exploration of mortality and one's profound effect on the world. The cast includes Matthew Modine, John Cleese, Derek Jacobi, Fiona Glascott, and more! Included in the Parkway Pass Package Saturday, 3/23/24 | Asbury Lanes Don Q Fans of Armand Assante can see him on the big screen as he starts in Don Q. Directed by Claudio Bellante. Other key cast includes Federico Castelluccio, Saundra Santiago, Vincent Pastore, Chuck Zito, and more! The cast of characters coming in and going out of Don Q’s life seems endless until the final dramatic showdown between rival factions. What will become of Don Q? Will he return to his old life as the reclusive Al Quinto and accept that change, in a shrinking Little Italy is unavoidable, or will he press on as Don Q and continue to live for his dreams and fight the good fight? Saturday 3/23/24 The Asbury Hall 6:15 PM SWIPE NYC Directed by New Jersey’s Sue Zarco Kramer, Lisa Eldelstein (House, Girlfriends Guide to Divorce, The Kaminsky Method) leads the cast with her unparalleled, comedic pathos. Her eyes say it all. She co-stars with A-list talent Richard Schiff (Black Panther Wukunda, The Good Doctor, West Wing) & Bridge Moynahan (IRobot, Blue Bloods) along with a stellar list of supporting actors. Sunday, 3/23/24 Asbury lanes 2:15 PM American Royalty Directed by John Daniel Fisher and Stephen Andrew Fisher. Since 1921, the Miss America Pageant has been an iconic institution that inspired women and men alike, especially in New Jersey. Granting scholarships to its participants and leading the way in service organizations around the world, the Miss America institution blazed a humanitarian trail. In recent years, growing cynicism and public controversies have marred the once-celebrated pageant and placed its future on uncertain ground. The GSFF offers several categories for films and filmmakers of all kinds. The Hometown Documentary Series was created by the GSFF, Artists Alike Studios, the New Jersey Motion Picture & Television Commission, and the New Jersey School Boards Association with the winner receiving a $500 prize from the NJSBA to the school the student attends. The High School film blocks screen on Saturday, March 23, and Sunday, March 24th at the Berkeley. There are $250.00 prizes sponsored by UARTS [University of the Arts] for the following two categories: the best Home Grown High School and Younger Film & Home Grown Animation High School Animation. “GSFF is proud to assist in providing advocacy and support to advance public education. We believe in the transformative power of arts education to substantially improve children’s lives and academic outcomes, and prepare them for 21st-century careers,” said Lauren Concar Sheehy, Executive Director. “GSFF has high school and younger categories,” continued Concar, “which many families and grandparents attend to celebrate their child’s achievement and to explore the career and technology resources we offer. It's a great way to get a better understanding of your filmmaker's passion and the opportunities that are available to them.” There is also The Roger Conant & Garden State Film Festival Scholarship at Brookdale Community College. Contact foundation@brookdalecc.edu for more information. The Awards Dinner on March 24 is an event honoring this year’s distinguished guests, with Clinton Mayor Janice Kovach serving as the Honorary Chair. Other honorees include Carla Raij, recognized for her exceptional work in film, David Diianni as Educator of the Year, Rising Star recipient Sophia Lucia Parola, and photographer Tom Zapcic, the 2024 MVP. The festivities commence with a "Meet the Filmmakers" cocktail party and include a Gala Cocktail Reception, the red-carpet premiere of "The Martini Shot," and a screenplay reading of "The Dude Is Legit!" 2024 celebrity attendees include Matthew Modine (Stranger Things), Armand Assante (Gotti), Lisa Eldelstein (Girlfriends Guide to Divorce), Bridget Moynahan(Blue Bloods), Ed Begley Jr. (Pineapple Express), Lisa Edelstein, Jim Cramer(Mad Money), Richard Schiff (Black Panther Wukunda), Federico Castelluccio (The Sopranos), MMA’s Louis Neglia, UFC’s Joe Pyfer, and more! "For 22 years, the Garden State Film Festival has been showcasing New Jersey talent and bringing outstanding talent to New Jersey from around the world." - Executive Director Lauren Concar Sheehy.
A Love Affair of Cinema! The Garden State Film Festival Returns “We hope you will join us and support our efforts in the State of New Jersey to use the cinematic arts not only to bring the best in a cultural event to our state, but to support our outreach programs throughout the entire state and throughout the year to seniors, underserved youth and our military among others,” said Concar Sheehy. THE GARDEN STATE FILM FESTIVAL is New Jersey's Premier Independent Film Festival®. Now in its 22nd year, the GSFF, a 501-c-3non- profit organization, is a global destination festival that stimulates economic growth in New Jersey through the arts. It also promotes student creativity, makes the arts accessible to underserved populations and preserves heritage arts. For more information visit info@gsff.org, facebook.com/GardenStateFilmFestival, twitter.com/GardenStateFilm and instagram.com/gardenstatefilmfestival New Client: Workhouse is honored to announce the return of the acclaimed fashion designer Joy Teiken of Joynoelle back to our roster. Her unparalleled artistry and innovative approach in the world of haute couture marks a celebrated reunion with our team. We could not be more proud to support her continued journey in the world of high fashion.
"Stepping back into the wider fashion landscape, after years focused on my family and bespoke work, is an exhilarating moment. Collaborating again with Workhouse after our 2009 campaigns feels like aligning a needle with its perfect thread – there's a natural, seamless connection that truly understands and amplifies the essence of Joynoelle. It's a fusion of creative minds and visions, poised to craft a new, dynamic chapter.” Joy Teiken, founder and principal designer of Joynoelle, stands as a paragon of innovative fashion design, celebrated for her distinctive approach that intertwines the allure of nature with the elegance of modern aesthetics. Her collections, known for their sculptural silhouettes and textural richness, draw inspiration from the vibrant tapestry of the natural world, encapsulating an ethos of artistic expression and a deep reverence for life’s simple joys. A virtuoso in the realm of fashion, Teiken's self-taught journey in design is marked by an exceptional mastery in draping and fabric manipulation. Each piece in her collection is a testament to her meticulous craftsmanship, handcrafted with precision and care in her Minneapolis-based atelier. This creative sanctuary, a reflection of Teiken's artistic soul, is adorned with an array of sumptuous fabrics, elegant dress forms, and the subtle undertones of tranquil music, setting the stage for her creative process. Interested media who wish to view the collection or arrange interviews with designer Joy Teiken are invited to contact Workhouse, CEO Adam Nelson via nelson@workhousepr.com For more information, visit: joynoelle.com Media Workhouse New Client: Workhouse is proud to welcome the documentary feature film The Worry and the Wonder, based on National Geographic Editor-in-Chief Chris Johns, into the agency fold.
Presented by Oregon State University, this feature documentary explores photojournalism, the world's most iconic publication, and media disruption through the lives and works of two photographers. National Geographic Editor-in-Chief Chris Johns photographed wildlife around the world during the magazine's heyday, and his daughter Louise dives deep into narratives of wildlife conflict in her adopted home on the edge of Yellowstone National Park. Two voices facing two distinct eras in journalism show us how visual storytelling is more vital than ever as the industry and our entire planet are facing an uncertain future. World Premiere: Big Sky Documentary Film Festival, February 2024 Oregon Premiere: April 17-18, 2024 at the @RAx in Corvallis Chris Johns made some of the most recognizable pictures of our time. He's the only field photographer to rise through the ranks of National Geographic to become Editor-In-Chief, heading the world's most iconic magazine during a period of industry disruption, digital transformation, and ecological crises. After spending a career as a journalist walking the tightrope between worry and wonder, he's now being shadowed by a visual artist with her own distinct ethos. His daughter Louise Johns, who picked up a camera as a child during her father's last field assignment, is shaping her own photography vision one image at a time. Interested media who wish to discuss featuring “The Wonder and the Worry” and provide exclusive insights through interviews with Chris Johns and Director David Alexander Baker are invited to contact Workhouse, CEO Adam Nelson via nelson@workhousepr.com #nationalgeographic #photography #photojournalism #media #journalism #wildlife #documentary #film #movie #cinema #chrisjohns #workhousepr New Client: Workhouse is proud to welcome the American sports drama Hard Miles Movie feature film based on a true story starring Matthew Modine into the agency’s fold.
“Hard Miles” narrates the remarkable true story of Greg Townsend and the Rite of Passage cycling team. Against the backdrop of RidgeView Academy, a medium-security correctional school in Colorado, the film follows coach Greg Townsend (Matthew Modine) as he embarks on an audacious journey with a group of juvenile convicts. Together, they undertake a transformative 1000-mile bike ride from Denver to the Grand Canyon. As novice bicyclists battle various challenges, the story unfolds as a powerful metaphor for personal growth and self-discovery. While caring social worker Haddie (Cynthia Kaye McWilliams) serves as a voice of reason, Coach Townsend pushes the boys to their limits. The film delves into themes of forgiveness, redemption, and the resilience of the human spirit in the unforgiving desert landscape. Awards and accolades have already recognized the film’s excellence, including the prestigious Jimmy Stewart Legacy Award at the Heartland Film Festival and Audience Awards at the Denver Film Festival and Naples International Film Festival, among others. “Hard Miles” has been an official selection at several renowned film festivals. The film opens nationwide in theaters this May 2024 in a story that truly underscores the wisdom that comes with age, experience, health and wellness, and community service. This cinematic masterpiece beautifully captures the essence of hope, determination, and mentorship, offering an emotional journey that will resonate. Interested media who wish to discuss featuring “Hard Miles” and provide exclusive insights through interviews with Matthew Modine are invited to contact Workhouse, CEO Adam Nelson via nelson@workhousepr.com Coming to theaters May 2024 Theatrical Release by Blue Fox Entertainment Written by Christian Sander (Producer) & R.J. Daniel Hanna Directed by R.J. Daniel Hanna Starring Matthew Modine #cycle #bicycle #bikelife #cyclelife #bicycle #cyclegram #cycletouring #harmiles #film #movie #cinema #matthewmodine #workhousepr By: John Keiffer In the ever-evolving landscape of education, one company is poised to transform the way children learn and prepare for the future. Heroic Education, the visionary force behind Heroic USA Workforce, is set to usher in a new era of education that seamlessly integrates technology, innovation, and skill-building from as early as first grade. Education has long been regarded as the cornerstone of societal progress, and the Heroic USA Workforce program is set to redefine the path to success for students, parents, and the nation as a whole. With a groundbreaking partnership with the only 100% USA-owned semiconductor FAB in the world, Heroic Education is bridging the gap between education and industry in a way that has never been seen before. Imagine a world where children are not only using technology but actively learning about it. Heroic Education envisions a future where students are not merely passive consumers of knowledge but active participants in the creation of their own understanding. In this brave new world, the boundaries between play and education blur, creating a seamless learning experience. In light of the recent PISA results, which revealed a concerning 13-point drop in math scores for the United States, it is clear that change is not just desirable but essential. The Heroic USA Workforce program promises to reverse these troubling trends, equipping students with the skills they need to excel in math, science, and reading, all while engaging in an immersive gaming experience. What sets Heroic Education apart is its commitment to scalability. By removing the traditional classroom and teacher from the equation, they are opening the door to a vastly scalable solution that can reach students across the nation. The need for skilled workers in the tech industry is growing, and Heroic Education is stepping up to meet that demand. Furthermore, Heroic Education's partnership with the only 100% USA-owned semiconductor company and supply chain in the world is a testament to their dedication to American innovation and industry. This collaboration harkens back to the cooperative spirit that defined the early days of the semiconductor industry in the US and Silicon Valley, where American ingenuity led the world. In a world where technology is rapidly advancing, ensuring that America remains at the forefront of innovation is crucial. Heroic USA Workforce not only meets the short and long-term workforce needs of the semiconductor industry but also provides a lifeline to America's education sector. It is a lifeline that promises to reverse the downward trajectory of STEM learning, ensuring that America maintains its leadership position in the global arena. The Heroic USA Workforce program is not just about nurturing future tech workers; it's about uplifting communities. By providing opportunities for families and businesses to prosper and thrive, it becomes a catalyst for economic and social well-being. The success of this initiative will be the linchpin in determining the long-term success of the CHIPS Act, and Heroic Education is ready to make it happen swiftly. One state that is already embracing Heroic Education's vision is Ohio. Schools across the state are using Heroic Game Day, an industry-leading K-6 workforce development program, to introduce students to the world of microchip building before they reach middle school. This scalable program ensures that millions of students have access to quality tech education, setting them on a path to successful careers.
But Heroic USA Workforce is not limited to the classroom. It recognizes the vital role parents play in a child's education journey. By engaging parents and offering them opportunities to upskill and pursue higher-paying technology jobs, Heroic Education empowers families to secure their future. Scott Dow, the Founder of Heroic Game Day, emphasizes the need for a new approach in today's interconnected world. "There is a new way of doing business, and the world is becoming a very small place," he says. "America has some very exciting opportunities, and it all starts with making heroic moves for, and investments in, the children and their parents in a way that delivers an abundant and right-skilled workforce now and in the future. This is what we do.” The landscape of the chip industry has transformed over the past four decades. Initially, the lure of cheap labor led to the industry's migration overseas. However, with the advent of robotics and automation, labor costs have become less significant than the quality and skills of workers. This shift in the industry presents an opportunity for America to regain its technological prowess. A substantial untapped labor pool exists within disadvantaged communities, with Title I students representing a significant portion of total enrollment in many states. The semiconductor industry does not require a college degree for a significant portion of its workforce, instead focusing on quick-start and ongoing upskilling programs on the job. America is making a resurgence in the technology sector, but fierce global competition, with China leading the way, demands a comprehensive strategy. To maintain leadership in the semiconductor industry, the United States must not only innovate technologically but also develop a skilled workforce capable of driving the industry forward. Heroic Education's approach aligns perfectly with this vision. By uniting the private and public sectors, they are creating a technical ecosystem that can propel the United States to the forefront of the semiconductor industry once more. It's a holistic approach that recognizes that technology and talent go hand in hand. By: John Keiffer We all know that daunting stat: If you were to eat your way through every one of New York’s 23,000 restaurants, you'd need over 22 years. The Big Apple, buzzing with life, is bound to have a multitude of dining spots, but finding the crème de la crème in New York is a task for a lifetime - and an enormous appetite. In fact, the city boasts a remarkable 69 Michelin stars, split among four three-star, 12 two-star, and 53 one-star establishments. With so many of the planet’s most talented chefs within one concrete jungle, choosing where to dine can be as tricky as snagging a table. We're always on the lookout for new culinary stars, yet we often find ourselves revisiting the classics, too. We stay updated so you know precisely which eateries are must-visits right now. That leads us to the most common question our editors face: Where's the hot dining spot at the moment? Well, there's one place that both tourists and New Yorkers shouldn't skip. Our Food critic found lots to love at Gigino Trattoria, and so have our other team members. If braving a two-hour queue in winter chills for a meal seems daunting, then Gigino Trattoria might just be your escape. In a Manhattan neighborhood famous for its culinary showdowns, Gigino Trattoria is the restaurant that pulls out all of the stops. It serves simple-sounding dishes that are a joy to eat. More than just a trattoria, this sit-down spot also offers a la carte bites at the bar. While the kitchen puts a creative spin on Italian classics, remember to save room for their exceptional desserts. Chances are, you've heard of Gigino Trattoria. Filmmaker and proprietor Bob Giraldi shot his feature "Dinner Rush" starring Danny Aiello and Sandra Bernhard right on the premises. Released in 2001, the movie intertwines stories of fate and passion with gastronomic artistry, continuing to captivate audiences. Hailed by Roger Ebert as one of the "Top 100 Films in the Past 10 Years" and lauded by The New York Times' Elvis Mitchell as "A Menu of Plot and Intrigue Where Food Is Just a Show," it's now available for streaming on Apple TV. Bob Giraldi isn't just any film and commercial director. From helming Michael Jackson's "Beat It" to Lionel Richie's "Hello," and from the vibrant "Say Say Say" with Jackson and McCartney to Pat Benatar's "Love is a Battlefield," he's crafted a distinguished career. A pioneer among the original "Mad Men" of the 70s advertising revolution, Giraldi made his mark at the legendary Y&R Ad Agency. Departing from DellaFemina & Partners in 1970, he embarked on a remarkable journey directing successful TV commercials, securing every major accolade in the field and earning recognition as one of "101 Stars Behind 100 Years of Advertising.” Always eager for new ventures, Giraldi dived into the New York food scene, opening Jean Georges Vongerichten's eponymous NY Times 4-star restaurant, the 3-star 'Mercer Kitchen,' and the pioneering 'Jo Jo' & 'Vong' in NY, along with outposts in London and Hong Kong. His 'BREADTribeca' garnered two stars from The New York Times, and his 'Diablo Royale' was a hit taqueria among West Village's youth. Check out his latest short film, “Gigino Trattoria / 2024 Fashion Collection" here https://youtu.be/c_Pgc1hxMGs Gigino Trattoria has remained a classic Italian favorite in Tribeca for over 30 years. In fact, this year is its anniversary, which is why we returned to check it out. Trust us, it did not disappoint. As the weather turns and we swap ceiling fans for sweaters and jackets, warm drinks, hearty pasta, and filling soups feel pretty idyllic. With a new winter menu for 2024, Gigino Trattoria’s serves a variety of homemade specials that stop time. These include Casoncelli, unique in shape and generously stuffed with speck it's enveloped in a velvety butter and soft cheese sauce. Tortellini in Brodo offers a delightful twist, featuring artisanal raviolini immersed in a flavorful chicken consommé. For a heartier option, Chef Luigi's Carciofi Ripieni presents artichokes filled with a savory blend of sausage, potatoes, and peas. The menu also includes Polenta con Salsiccia e Funghi, where soft polenta meets sautéed mushrooms and sausage in a light tomato sauce. Adding to the selection, Cavotelli Zucca e Pancetta pairs cavatelli with butternut squash, pancetta, and parsley for a balanced mix of flavors. Lastly, Penne con Zucca combines penne pasta with pumpkin, garlic, olive oil, and spinach, creating a dish that's both nourishing and indulgent. Get ready for instant fuzzy feels where you can whisper, woo, and be waited on.
For reservations, visit https://www.gigino-trattoria.com WORKHOUSE Honored with ’Top 100 Public Relations (PR) Firm” 2023 Award
Independent Creative Agency is named Top Media Firm; Recognized by DesignRush as PR Powerhouse Workhouse, with offices in New Jersey and New York City, was named a “Top 100 Public Relations Firm” across leading communication sectors while demonstrating a history of promotional excellence. The recognition follows a host of high honors bestowed in 2023, including the MarCom Career Achievement Award, Netty Lifetime Achievement Award, and the Best in Biz “Marketing Executive of the Year” for Workhouse, Founder & CEO Adam Nelson “As Workhouse celebrates its 25th Anniversary, we are not only roused by the recognition but moved by the moment. Eternally grateful to a history of clients who believed steadfast could make stardust.” — Adam Nelson, Founder & CEO, Workhouse Established in 1999, the firm is home to creative communicators specializing in consumer marketing, corporate and public affairs, digital engagement, luxury, celebrity, travel, hospitality, retail, real estate, sports, and entertainment marketing. Clients have included Lou Reed, The Rolling Stones, Francis Ford Coppola, Charlie Chaplin Estate, Anthony Quinn Estate, International Emmy Awards, Matthew Modine, David LaChapelle, Interview Magazine, Jazz at Lincoln Center, Galleries Lafayette, Ford Motor Company, Porsche, Virgin, Assouline Editions, Rizzoli International Publications, Coty, and Versace, offering award-winning campaigns across a broad spectrum of luxury, fashion and lifestyle brands. Visit workhousepr.com |
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April 2024
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