In the midst of holiday films landing on screens this year, Merry Good Enough takes a distinctly different route, bringing something raw and relatable to UK audiences. This isn’t your conventional Christmas story, and with an 11th November release from Kaleidoscope Home Entertainment, it’s set to stand out for its emotional depth and dark humour. Directed by Caroline Keene and Dan Kennedy, and starring Raye Spielberg and Sawyer Spielberg, the film explores the often messy and unvarnished truth of family life during the holidays.

With Kaleidoscope Film Distribution handling international sales, Merry Good Enough is making its way to global audiences after its UK debut. Raye Spielberg, who takes on the role of Lucy Raulie in the film, believes that British audiences, in particular, will appreciate the balance of wit and drama. “I’m thrilled about the UK release,” Raye says. “I believe British audiences will really connect with the film’s dry wit and emotional depth. It’s an honest story, not your typical holiday fluff, and that realism is something I think UK viewers will appreciate.”

The film centres on a dysfunctional family trying to navigate the holiday season after their mother disappears on Christmas Eve. Raye stars as Lucy, the sharp but warm-hearted daughter, while Joel Murray (Mad Men) plays the family’s charismatic but problematic patriarch. Lucy’s relationship with her neighbour Sam, played by Sawyer Spielberg, adds layers of tension and tenderness as the story unfolds, striking a balance between moments of humour and the undercurrent of holiday chaos.

Raye’s connection to the UK runs deep, both personally and creatively. Having spent time performing at the Edinburgh Fringe and soaking up British culture, she feels a natural affinity with the UK audience. “There’s a natural fit here; I’ve spent time in London and even performed at the Edinburgh Fringe, and our writer and co-director Caroline is heavily influenced by UK culture. I think that connection to the region will resonate with audiences,” Spielberg says. “There’s a shared admiration for the storytelling tradition, and I hope British and Irish viewers feel that.”
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One of the film’s unique aspects is its departure from typical holiday cheer, instead focusing on the complex, often uncomfortable realities that come with family gatherings. Raye speaks candidly about how the role of Lucy affected her own outlook on the holiday season. “Filming Merry Good Enough was cathartic, and watching it with my family was even more so,” she admits. “The family dynamics in the film are so relatable and universal, yet they hit close to home for me. I found that working on the movie allowed me to approach my own family with more grace and understanding, which has definitely shifted my perspective on the holidays.”
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Working with her husband, Sawyer Spielberg, on this project brought its own layer of complexity to the film. Though they were playing characters with their own stories and challenges, Raye reflects on how the process deepened their professional and personal connection. “It’s really special how our characters influence each other throughout the film,” she notes. “There’s a mix of shyness, tension, tenderness, and romance between Sam and Lucy. What I love about acting is the freedom it offers—you’re not burdened by your own identity for a while. So, on set, there wasn’t Sawyer and Raye, only Sam and Lucy. His character brings much-needed perspective to Lucy, helping her let go of some of the pressure she places on her family.”

The film’s approach to holiday traditions and familial expectations will likely resonate strongly with British audiences, who have long embraced a love for films that delve into deeper emotional territory while balancing it with sharp, witty dialogue. As Raye says, Merry Good Enough isn’t trying to be a picture-perfect holiday film—it’s grappling with the very real tensions that can arise when family comes together, for better or worse.

Raye, a New York-based actor, is especially excited about the UK release as it aligns with her passion for the region’s theatre culture. “I have such a deep connection with the UK, and I would work there again in a heartbeat,” she says. “The theatre culture in London and Dublin is so rich, and it’s inspiring to be part of that world. This release feels like a natural extension of my love for UK storytelling.”

As the UK prepares to welcome Merry Good Enough, Raye reflects on the feedback she’s received so far, particularly from early screenings. “From what I’ve heard so far, UK audiences are responding to the film’s honesty and depth. It’s exciting to see how it resonates with people who have a different cultural perspective, and it’s made me appreciate the universal nature of the story even more.”

At the heart of the film is Lucy, a character who Raye describes as tough on the outside but deeply caring beneath the surface. “Lucy has a tough exterior and a biting wit, but underneath, she’s all heart,” Spielberg explains. “The holidays stir up a whirlwind of emotions for her, as they do for many of us. She’s a bit of a Scrooge, but that stems from her capacity to love deeply. She’s not just cynical for the sake of it—she’s grappling with her own fears and expectations.”

Looking ahead, Raye Spielberg is already planning her next creative moves, including a mix of film and theatre projects, both in the UK and the U.S. For now, though, all eyes are on Merry Good Enough as it makes its way into British cinemas, offering a holiday film that’s anything but conventional—honest, humorous, and unafraid to show the messier side of family life.

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True collaboration in fashion often transcends the boundaries of medium and artistry, becoming something more than the sum of its parts. Joy Teiken, the creative force behind Joynoelle, and AMI, a photographer whose work speaks volumes in every frame, are an example of such a partnership. Together, they weave an unspoken narrative where fabric and lens work in harmony, creating a visual dialogue that is both compelling and understated.
 
Teiken’s latest collection is a study in texture and form, born from a deep connection to the human body and its natural elements. “These recent pieces are the beginning of a larger collection where the focus is on the imagery and textures of the human body,” Teiken explains. “Microscopic bone detail, muscle tissue, vein lines, and colors. This exploration is deeply personal, though it may not be seen by others since I’m not being literal—it’s my analysis.”


Teiken’s designs are not ones to follow trends. They’re timeless, immune to the fleeting nature of fashion’s fast-paced cycles. Instead, she focuses on textures and materials that tell their own story, garments that breathe life into the wearer. The green gown, for example, is made from cream and green striped silk taffeta, with stitch-pleating that creates a three-dimensional effect—a visual journey within the fabric itself. The burgundy gown, made of silk decorator fabric, features organic shapes that flow like brushstrokes, sewn onto a black organza slip. It’s these kinds of pieces, meticulously crafted and deliberate in their creation, that define Teiken’s work.
 
“I’m a very tactile person and manipulating fabric is an important aspect of my process,” says Teiken. “For me, it’s about what makes sense visually and in my head. I’m open to the organic process of letting things take shape, stepping away, and thinking critically. This is where I’m happiest.” Her relationship with fabric is personal, bordering on intimate. It’s a dialogue between her hands and the material, a conversation that results in pieces that feel not only wearable but imbued with a sense of emotion and depth.


In walks AMI, the photographer tasked with capturing this depth through her lens. Known for her ability to balance light, texture, and movement, AMI’s style is a natural complement to Teiken’s tactile approach. For this collaboration, the challenge was to bring Teiken’s intricate designs to life without overpowering them. “This shoot was all about balancing the duality of Joy’s designs—one look was airy, delicate, and soft, while the other was bold and dark,” AMI explains. “I wanted to showcase that complexity without being overly stylized. My work is about finding that harmony between the designer’s vision and my perspective.”
 
One of the most striking elements of this collaboration is the seamless interaction between the garments and the models. The clothing feels like an extension of the body, fluid and organic, which was no accident. “We wanted the models to feel as if the garments were part of them, not something separate,” AMI says. “It was important that the connection between the body and the fabric was palpable.” AMI’s ability to capture this synergy is part of what makes her work so impactful—the way she plays with light and shadow, bringing out the texture of each garment without losing its softness.


There’s a dreamlike quality to the images AMI creates—models in motion, yet somehow suspended in time. “Fashion photography is often about capturing movement in stillness,” AMI reflects. “I’m always thinking about how to use light and texture to add a sense of motion to still images, and Joy’s pieces lend themselves beautifully to that. The richness of the fabrics, the intricacy of the textures—they almost ask for that kind of treatment.”
 
In one of the standout images, a model wears a black gown made from fringe, sewn vertically over a netted silhouette. AMI plays with light here in a way that makes the fringe shimmer, giving the gown an almost hypnotic quality, as if it’s swaying in a breeze you can’t see. In another, the cream dress with leather bow detail, constructed from shredded cotton, feels soft yet structured, with AMI using delicate lighting to emphasize the contrast between the material’s softness and the sharpness of its design.
 
This collaboration is more than just a fashion shoot—it’s a dialogue between two artists whose work elevates each other’s. For Teiken, seeing her designs through AMI’s lens was revelatory. “It’s always fascinating to see how someone else interprets your work,” Teiken notes. “AMI captured the essence of what I was trying to convey, but she also brought her own layer of meaning to it, which I loved.”
 
For AMI, working with a designer as meticulous and thoughtful as Teiken pushed her creatively. “There’s always this tension between staying true to the designer’s vision and bringing your own perspective as a photographer,” AMI says. “But that’s where the magic happens. In that push and pull, you create something that’s truly collaborative.”
 
Together, Joy Teiken and AMI remind us that fashion is more than just clothing—it’s an experience, an emotion, a story. Their work transcends the transactional nature of fashion photography, moving into the realm of art, where fabric and image merge into a seamless whole. The garments are not just worn; they are lived in, felt, and understood, thanks to the unspoken synergy between a designer and a photographer who, together, are quietly redefining how we see fashion.
 

A historic celebration is set for this weekend as Edith Renfrow Smith, a remarkable supercentenarian and the first Black female graduate of Grinnell College, returns to her alma mater and the town where she was born. At 110 years old, Renfrow Smith embodies a legacy of perseverance and achievement that inspires generations.

Renfrow’s journey is particularly noteworthy; at age 99, she was designated a “superager” in a study by Northwestern University for her remarkable memory and longevity. In 2019, at 104, she received an honorary degree from Grinnell College, further solidifying her impact on the academic community. “This dedication is not just about a building that honors Edith Renfrow Smith. As a part of the college's new “civic engagement quad”, it also aims to recognize the injustices of the past and provide a home for planning a more just future. It is a starting place for correcting the decades of oversight, on the part of the campus and community, in recognizing the contributions of African American students, alumni and Grinnell residents” said Monique Shore, a Grinnell College alumni and community member who authored an illustrated biography of the Renfrow story, “No One is Better Than You: Edith Renfrow Smith and the Power of a Mother’s Words”.

The dedication ceremony will take place at the newly constructed residence hall named in her honor, recognizing her groundbreaking contributions to education, her family’s deep roots in the Grinnell community, and her trailblazing path as a woman of color in academia. Attendees will be treated to an extraordinary sight: a series of 10 larger than life wheat paste murals throughout town of historic photos from during her family’s time in Grinnell, approximately 1890-1960. The murals are created in partnership with the Grinnell Area Arts Council, local volunteers, and led by artist Isaac Campbell, whose work has garnered international media coverage from esteemed outlets such as NPR (https://www.npr.org/2022/07/29/1114225672/brittney-griner-americans-wrongfully-detained-bring-our-families-home-campaign), CNN (https://www.cnn.com/2022/07/20/politics/us-detainee-mural-unveiling/index.html), The New York Times (https://www.nytimes.com/2022/12/09/us/politics/griner-blowback.html?action=click&module=RelatedLinks&pgtype=Article), Reuters (https://www.reuters.com/world/us/nearby-white-house-faces-americans-detained-overseas-now-visible-thousands-2022-07-20/), and the Washington Post (https://www.washingtonpost.com/sports/2022/07/20/brittney-griner-mural-washington/).
“Each mural in the exhibition has been prepared and installed by a dedicated group of volunteers and area students - a fitting way to honor the legacy of a woman who has impacted communities across America for 110 years and counting” said Campbell. “It’s an honor to bring awareness to her incredible story and unifying spirit. I can’t wait to see her reaction to the massive murals in the way that so many people in this community see her—as a giant.”

Interested media who wish to attend the event, or schedule a tour and/or interview with artist Issac Campbell are invited to contact Workhouse, CEO, Adam Nelson via [email protected]

Key Highlights:
Date: Friday, September 27th, 2024 - Saturday, September 28th, 2024
Location: Grinnell College, Grinnell Iowa
Special Guests: Edith Renfrow Smith

Art Installation:
Friday, September 27th, 12:00 pm - A monumental mural of young Edith Renfrow Smith and her sisters to be constructed and unveiled during the ceremony. Renfrow’s legacy is a testament to resilience and the pursuit of education. Her story is not just one of personal triumph but also a reflection of the broader narrative of racial and gender equality in America.
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Saturday, September 28, 2024
Tour of Renfrow Hall and Mural Sites - 9:30 am - Edith will receive a personal tour of the newly constructed Renfrow and meet artist Isaac Campbell in front of the murals.
Renfrow Hall Dedication, 12:00 pm- The dedication ceremony, with 110 year old Edith in attendance, will take place in front of Renfrow Hall, 1033 Broad Street, Grinnell, Iowa.

​Local filmmaker and UArts graduate Gary Hanna (Class of 2004, Film Major, Screenwriting Minor) is proud to present the latest vignette in his documentary series, University of the Arts – We’re Still Here, featuring Adam Nelson, a 1991 UArts Theatre alumnus and Founder & CEO of WORKHOUSE. The project sheds light on the deep impact University of the Arts has had on its graduates and highlights the ongoing fight to uncover the reasons behind the abrupt and shocking closure of the nearly 150-year-old institution.
 
Watch University of the Arts – We’re Still Here, featuring Adam Nelson here
 
Gary Hanna has set out to create a platform for UArts alumni to share their experiences, professional accomplishments, and the lasting influence of their arts education.  The vignette series, which aims to spotlight alumni who have successfully built careers off of their UArts degrees, directly counters the misguided notion that arts education is an obsolete path. This campaign showcases how an arts degree is not a relic but a vital force shaping industries, communities, and cultures worldwide.  Through these vignettes, UArts graduates continue to thrive despite the institution’s sudden closure.
 
“The arts are the cornerstone of American culture, and institutions like UArts are essential to nurturing the next generation of creative leaders,” said Nelson. “The closure of UArts is not only a loss for the community but a symbolic failure in the broader narrative about the role of arts education in this country.”
 
Nelson, a seasoned Public Relations executive and recipient of numerous accolades, shares his thoughts in his feature about the importance of preserving institutions like UArts and the questions that remain unanswered in the wake of its closure. “We’re still waiting for answers from the legislative committee hearings concerning the unexplained collapse of UArts. The administration and Board of Trustees must be held accountable for their actions, and we won’t rest until the full story is brought to light,” Nelson said.
 
The Shocking Closure of UArts: A National Concern
UArts, founded in 1876, has been a cornerstone in the creative community, both locally in Philadelphia and internationally, nurturing generations of artists, musicians, and cultural leaders. However, in a swift and unexplained move, the Board of Trustees announced UArts’ permanent closure in May 2024, citing financial difficulties. Students and staff were left scrambling, with tuition and salaries hanging in limbo, and the Middle States Commission on Higher Education (MSCHE) confirming the loss of accreditation.
 
The university’s demise came despite a successful capital campaign raising over $67 million in 2022 and a reported endowment exceeding $60 million. The shockwaves from this closure have reverberated throughout the arts community, prompting calls for investigations into potential criminal neglect or sabotage by the administration and board. “The severity of this situation cannot be overstated,” said Nelson. “The egregious actions of the trustees, and their utter failure to provide an adequate closure plan, demand full transparency and accountability.”
 
A Call to Action
Hanna and Nelson, alongside other alumni and advocates, are determined to hold those responsible accountable. Nelson has offered the full resources of his Public Relations agency to push for transparency and help mobilize the alumni network to preserve UArts’ legacy. “We’re calling on the city, state, and federal government to unveil the results of their investigations. UArts is not just a building—it’s a symbol of what the arts mean to Philadelphia and far beyond. It’s time to fight for its survival and for the future of arts in America,” Nelson continued.
 
Hanna’s University of the Arts – We’re Still Here series is a vital reminder that while the institution may be gone, its alumni remain, making significant contributions to the creative world. “No one wears their alma mater as a name tag in public, but we carry its influence in our work,” said Nelson. “This project is about the importance specialized institutions play in fostering creativity.”
 
Expanding the Conversation Across the Country
Hanna hopes that this project will inspire other filmmakers and alumni across the country to create similar vignettes, bringing awareness to local communities and showcasing the contributions of UArts graduates globally. “The closure of UArts is a national issue, and I’m encouraging others to continue this campaign in their cities—California, New York, Japan—wherever UArts alumni are making an impact,” said Hanna.
 
Alumni, students, and community members flood social media, demanding answers for the institution’s abrupt collapse. “This isn’t something we can let fade away,” Nelson stated. “The arts build more than careers—they build culture, drive social change, and inspire generations. When an institution like UArts is erased overnight, we’re not just losing a school, we’re losing a vital force that fuels creativity and connection. This fight is about safeguarding the spaces where ideas take shape and the boldness to imagine something greater.”
 
Adam Nelson, UArts Class of 1991, has built a formidable career as a leader in public relations and marketing. He is the Founder & CEO of WORKHOUSE, a boutique PR agency known for its stylish and high-impact campaigns. Nelson has received numerous awards throughout his career, including the MarCom Career Achievement Award and Best in Biz “Marketing Executive of the Year” in 2023. A tireless advocate for the arts, Nelson has represented industry icons like The Charlie Chaplin Estate, Francis Ford Coppola, and The Rolling Stones.
 
Gary Hanna is a Philadelphia based filmmaker, a UArts graduate, and his brand, Psynema, does corporate video production, with an emphasis on documentaries and non-profits.Through his work, Hanna continues to explore the intersection of art, culture, and social justice, with a focus on preserving the stories of marginalized voices. University of the Arts – We’re Still Here is his latest project, blending advocacy with alumni stories to spotlight the ongoing fight for transparency in UArts’ closure.
 
Support the Campaign
For more information and to support the ongoing investigation, visit WORKHOUSE or follow the hashtag #SaveUArts.
 

In an age where digital marketing dominates, TheHomeMag's success in traditional mail-based advertising stands out, and this achievement was recently recognized on a national stage in Washington, D.C. The United States Postal Service awarded TheHomeMag the 2024 Excellence in Innovation and Creativity Award—one of only eight companies chosen from 30,000 entries, including industry giants like Citi. This award honors businesses that have demonstrated originality in the marketing space, particularly in their collaboration with USPS.
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For TheHomeMag, a company that has been a leader in home improvement advertising since its founding in 2002, the award is a testament to the enduring relevance of direct mail. "It's an incredible honor to be recognized for continuing to innovate in one of the oldest forms of marketing that has a tremendous impact," said Tom Bohn, President and COO of TheHomeMag, who accepted the award at USPS headquarters in Washington, D.C.

Blending Tradition with InnovationTheHomeMag began as a print-focused company, producing high-quality direct-mail publications that connect homeowners with trusted home improvement professionals. As digital marketing grew, many businesses in print advertising struggled to remain relevant. TheHomeMag chose a different approach, using innovation to bridge the gap between traditional and digital marketing.
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The company has built upon its direct mail foundation by launching Marketplace by TheHomeMag, a digital platform that helps homeowners find and connect with certified home improvement professionals. This hybrid strategy has allowed TheHomeMag to maintain the effectiveness of its print offerings while embracing the future of A.I. and digital interaction.
Receiving the USPS award underscores the effectiveness of this approach. By utilizing direct mail as part of a broader marketing ecosystem, TheHomeMag demonstrates that traditional methods can still thrive when integrated with modern technology. The USPS award celebrates companies that make significant contributions to growing the value of mail, and TheHomeMag exemplifies how blending old and new can deliver strong results.

A Dedicated Team Behind the SuccessTheHomeMag's recognition is a testament to its dedicated team and dynamic company culture. Recently named to Inc. magazine's 2024 Best Workplaces list, TheHomeMag excels in creating an environment where innovation thrives—not just through technology but by fostering a team driven to push boundaries and embrace new ideas. This dual recognition by USPS and Inc. underscores TheHomeMag's holistic approach, combining technological innovation, quality, and a strong workplace culture to stay ahead. 
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With the USPS undergoing its own transformation through the Delivering for America plan, TheHomeMag serves as an example of how companies can leverage proven marketing methods like direct mail along with cutting-edge A.I. tools, a reminder that smart marketing isn't a choice between tradition and progress—it's about blending both to build lasting success.

​acred Symbols Meet Luxury in Modern Manbo’s New Line
Modern Manbo, a fashion label conceived by Haitian-American singer-songwriter and actress Malou Beauvoir, proudly announces the launch of its 2024 collection. This line of luxurious kaftans, coats, and silk scarves draws deeply from the sacred symbols of Haitian Vodou, celebrating female empowerment and leadership. The collection stands as a testament to the fusion of tradition and modernity, with each piece telling a story of strength, resilience, and timeless elegance.

The name Modern Manbo is a direct reference to the Manbo, the revered priestess in Haitian Vodou, often referred to as the “Mother of Magic.” The Manbo is a spiritual leader, healer, and guide within her community, embodying wisdom, compassion, and an indomitable spirit. Beauvoir, inspired by the powerful women in her life and the rich heritage of her Haitian roots, has translated these qualities into the essence of her fashion line.

For more information, high-resolution images, or to schedule an interview with Malou Beauvoir, please contact WORKHOUSE, CEO Adam Nelson via [email protected]

“In Haitian Vodou, the Manbo plays a crucial role in guiding her community with strength and intuition. The Modern Manbo collection is an homage to these extraordinary women who inspire me—women who are strong, resourceful, fearless, resilient, feminine, vibrant, and spiritual,” says Beauvoir. “This collection is not just about fashion; it’s about honoring the women who have shaped our history and continue to impact our world today.”

​Malou Beauvoir’s creative process is deeply influenced by her global experiences. Her designs are a blend of the traditional and the contemporary, taking cues from the ethereal grace of garments such as the African boubou and the tunics of India and Pakistan. The result is a collection that is both globally inspired and uniquely personal.

“Fashion is a universal language,” Beauvoir explains. “The fabrics, colors, and silhouettes we choose are reflective of the rich tapestry of cultures that have influenced me. From the vibrant colors of the Caribbean to the intricate patterns of Asia, each piece in the Modern Manbo collection tells a story.”

The Modern Manbo collection features a range of luxurious materials, including silk satin, chiffon, and brocade, sourced from all corners of the globe. These fabrics are meticulously chosen during Beauvoir’s travels through Thailand, India, Africa, the Middle East, Europe, and the Americas. The collection’s color palette is equally diverse, featuring rich jewel tones, soft pastels, and exuberant prints that adorn the lustrous fabrics. The silhouettes are designed to drape elegantly, highlighting the natural beauty of the wearer.

The Spiritwalker Collection: A Sacred Tribute
A standout feature of the 2024 launch is the Spiritwalker Collection, a series of 100% pure silk scarves that draw inspiration from the ancient spirits of Haitian Vodou. Each scarf in this collection features unique VEVE designs—sacred symbols that represent the knowledge, magic, and spiritual heritage of the Vodou tradition.

“The Spiritwalker Collection is deeply personal to me,” says Beauvoir. “These scarves are not just accessories; they are representations of the sacred symbols of the Haitian Vodou spirits, their VEVE, and their bold and brilliant colors. Each design is a tribute to the spirits that guide us, protect us, and connect us to our ancestors.”

The VEVE symbols, intricately woven into the fabric of each scarf, serve as a reminder of the spiritual and cultural legacy that Vodou represents. The scarves are available in a variety of designs, each one reflecting a different spirit and carrying the energy and wisdom of the Vodou tradition. The Spiritwalker Collection is a testament to the intersection of spirituality and modern luxury, offering wearers a connection to their heritage in a beautifully crafted accessory.

Modern Manbo: A Celebration of Female Empowerment
At its core, Modern Manbo is a celebration of women—their strength, beauty, and femininity. The label seeks to transcend the traditional confines of the Vodou temple, bringing the spirit of the Manbo to women around the globe. Beauvoir’s designs honor the women who serve as the foundational pillars of their households, families, and communities.

“Our Modern Manbos are the remarkable women who inspire us every day,” Beauvoir states. “They are mothers, warriors, visionaries, queens, and goddesses. This collection is dedicated to them, and to all the bold, beautiful women who resonate with the spirit of the Manbo.”

The Modern Manbo label goes beyond fashion; it is an emblem of female empowerment and leadership. Each piece in the collection is designed to empower the wearer, allowing her to connect with the strength and resilience of the women who have come before her. The garments are a celebration of femininity in all its forms, offering a modern take on traditional designs that have stood the test of time.

Fabric has long been a symbol of wealth, status, and spiritual heritage, particularly in African and Asian cultures where the admiration for fine fabrics continues to thrive. This tradition is at the heart of the Modern Manbo collection, with each fabric carefully selected to embody the brand’s essence. Beauvoir takes a hands-on approach to fabric selection, traveling the world to source the finest materials for her designs. From the bustling markets of Thailand to the artisanal workshops of India, each fabric is chosen for its quality, texture, and cultural significance.

The result is a collection that is both luxurious and meaningful, with each piece telling a story of its own. The Modern Manbo collection includes kaftans, coats, and tunics, each one crafted from exquisite materials like silk satin, chiffon, brocade, and more. These pieces are designed to be both elegant and versatile, offering a timeless appeal that transcends trends. The collection’s flowing silhouettes are designed to enhance the natural beauty of the wearer, while the rich colors and intricate patterns add a touch of sophistication.

In a world where icons are born out of Madison Avenue, TheHomeMag’s mascot, HOME-Y, is the latest Casanova to win over homeowners. The home improvement hero has broad shoulders, a chiseled frame, and a kilowatt smile that can light up any room. HOME-Y isn’t just a mascot; he’s the embodiment of everything you want in a dream house – reliable, strong, and always ready to lend a hand.
He’s also as big as a house. Literally! A giant house with arms. But there’s more to him than a strong foundation; HOME-Y’s a hard worker who never backs down from a challenge. Look no further than his hilarious commercials! Whether it’s fixing a leaky faucet or offering a shoulder to lean on, HOME-Y is there for you, day or night. It’s no wonder, Home-y is where the heart is.

Brady Bryson’s tale about his time at New York University is more than just a story—it’s a vivid chronicle of an artist’s survival and his personal evolution. In this first-person account, Bryson delves deep into the challenges and triumphs that have defined his journey as an MFA candidate at one of the world’s most prestigious institutions for dramatic writing.

But before we dive into his time at NYU, let’s take a closer look at who Brady Bryson is and what has shaped his story.

From a very young age, Brady’s life was immersed in the enchanting world of cinema. His journey began at just six years old when his parents took him to a 30th-anniversary screening of Martin Scorsese’s iconic film “Taxi Driver.” This early exposure to the power of storytelling through film ignited a lifelong passion for filmmaking. What started as a hobby creating stop-motion films soon evolved into more sophisticated productions using an iPad, demonstrating his early commitment to mastering the craft.
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A pivotal moment in his life came through a chance encounter with acclaimed director Rob Reiner. This meeting would forever change the course of his career. Reiner imparted invaluable advice: to truly understand what he would one day ask of actors, Brady should first experience acting himself. This guidance led Brady to immerse himself fully in the world of performance, taking on roles in short films, television series, and off-Broadway theatre.

Brady’s acting career has also been equally successful. He won the Best Dramatic Actor award at the 2018 Bucks County Playhouse Theater Festival and received multiple nominations from the Young Artists Awards for his compelling performances in short films and television series.

Now, in a deeply personal and reflective essay, Bryson pulls back the curtain on his experiences as a first-year graduate student. Not just about academics, the essay uncorks the resilience required to thrive on such a demanding stage.
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Join us as we explore Brady Bryson’s artistic journey, his approach to storytelling, and the exciting projects he has on the horizon. To learn more about his films and ventures, visit https://www.mrweirdbob.com.

BRADY BRYSON: “New York University has always held a special place in my heart. From my earliest days as an aspiring actor, traveling to New York City for auditions and participating in short films penned by NYU students, I sensed that the university represented a pinnacle of creativity and innovation—a pinnacle I was eager to reach. The prospect of learning from the best and expanding my craft within such a dynamic environment was irresistible.
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As I grew older, my passion for acting evolved, encompassing a keen interest in directing and screenwriting. This evolution was not merely a shift in interest but a realization of a lifelong dream. My writing often addresses uncomfortable subjects, not to incite controversy, but to provoke thoughtful reflection. I explore themes that challenge me, hoping to inspire my audience to think deeply and feel intensely. The roles I played in those early NYU projects, characterized by their dark and intricate subject matter, only reinforced my belief that NYU was the perfect incubator for my artistic ambitions.

Despite my aspirations, the thought of becoming an NYU student felt like a distant dream. Growing up with dyslexia and an auditory processing disorder, I harbored doubts about my ability to succeed in college, let alone thrive in a rigorous academic environment. Yet, these challenges did not deter me from pursuing my goals. I graduated from college and found myself at a crossroads during a gap year. I pondered whether to invest my hard-earned money into producing my first feature film or to apply to NYU’s prestigious graduate program in Dramatic Writing. Why not aim for both?

In the fall of 2022, I applied to the Department of Dramatic Writing and was granted an interview in the winter of 2023. Weeks later, I received the news: waitlisted. While this was not the outcome I had hoped for, I recognized it as a significant achievement. I pressed on with the pre-production of my feature film, spending that summer in a whirlwind of meetings, casting, and script revisions. Graduate school slipped from my mind as I immersed myself in the creative process.

Then, in late August, everything changed. Following an early morning meeting with my cinematographer, I received an unexpected email from the Department of Dramatic Writing—there was an opening in the program. Was I still interested? The moment was surreal, a blend of disbelief, joy, and overwhelming gratitude. My dream had materialized. With the semester starting in less than a week, I scrambled to adjust my film’s shooting schedule. Exteriors were pushed to weekends in October, interiors to January during the winter break, all while maintaining my commitment to my gig at SNL, ensuring no classes or shoots from Thursday evening through Sunday morning.

From my first day at NYU, I felt a profound sense of belonging. The community of writers and professors was not only producing remarkable work but was also incredibly supportive and encouraging. Even amid my production schedule during the first semester, classmates volunteered as background actors, and professors continually pushed me to elevate my work. They challenged me to explore the depths of my scenes, to develop compelling character arcs, and to transform good scripts into great ones.

Completing my first year in the MFA program, with a feature film under my belt, I still find myself in awe of this journey. NYU has taught me the invaluable lesson of embracing exploration and pushing the boundaries of conventional success. Here, I am afforded the ultimate gift of diving deeply into my writing, surrounded by peers who are just as curious and ambitious. Together, we ask ourselves, “How far can we go with this screenplay?”

Even now, moments of disbelief punctuate my busy days. I pause, pinch myself, and marvel at the reality of it all. This journey—marked by passion, perseverance, and the unyielding pursuit of creativity—has brought me to a place I once thought unattainable. And for that, I am eternally grateful.”
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Delve into Brady Bryson’s artistic journey, his approach to storytelling, and the exciting projects on the horizon. To learn more about his films and ventures, visit https://www.mrweirdbob.com.

Anticipation is also mounting for the psychological thriller “Pink Flags,” in which Raye takes on the role of Liberty, a figure skater entangled in a gripping and eerie cat-and-mouse game. Inspired by the urban legends that haunted her youth, Raye infuses Liberty with a chilling intensity that reflects those unsettling experiences. This role demands an extraordinary performance from her, promising to create a character that will haunt viewers long after the credits roll.
Brooklyn is more than just Raye’s hometown—it’s the foundation of her artistic identity. The city’s culture has shaped her vision and stoked her passion for storytelling, facilitating a smooth transition from stage to screen. Her training at the William Esper Studio under Barbara Marchant sharpened her skills, allowing her to tackle diverse roles with an authentic focus.
Collaborations with her husband, actor Sawyer Spielberg (Masters of the Air) adds an extra dimension. The duo skillfully juggle their individual projects, coming together to create incredible chemistry, while bringing unique perspectives to their joint ventures. Stories they yearn to tell that are both personal and profound.
Beyond her acting career, Raye is a passionate advocate for human rights and social justice. She champions gender equality, women’s reproductive rights, and other critical issues, leveraging her platform to foster meaningful change. Her environmental PSA, A NY Body of Water, exemplifies her commitment to water conservation—a cause deeply personal to her, given her family’s ties to the Delaware River Watershed.
In this interview, Raye discusses her journey, the intricacies of her roles, and the causes she passionately supports.
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“Merry Good Enough” has been celebrated for its depth and dark humor. What initially attracted you to the character of Lucy, and how did you navigate her complex family dynamics?
RS: Lucy and her family felt both familiar and universally relatable. The dynamics between adult children and their parents can be complicated, filled with old habits and dysfunctions. As we grow older, these relationships aren’t something we work on daily, so reunions often lead to falling back into old patterns. Lucy’s desire for her family to be together and happy, even just enough, resonated deeply with me when I first read the script.

“Pink Flags” sounds highly anticipated. What was the most intriguing aspect of playing Liberty, and how did you prepare for the psychological intensity of the role?
RS: Growing up in NYC, I have plenty of eerie stories and encounters to draw from. Liberty is fed up and becomes a force of nature when faced with danger. I was intrigued by her raw, animalistic power and enjoyed channeling that intensity.

With a background in dance and acting, how do you integrate your physical training into your character development process?
RS: Movement is essential for my well-being and helps me process information. It’s so ingrained in me that I can’t imagine separating the dancer from the actor. Each character has their own physicality. When I play an athlete, my own athletic background naturally comes through in the role.
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The environmental PSA “A NY Body of Water” showcases your commitment to social issues. What motivated you to create this project, and what impact do you hope it will have?
RS: Water is fundamental to life. Our bodies need it, and so much effort goes into protecting our freshwater resources. Contaminating it through industrial processes like fracking harms our environment and health, and it doesn’t make financial sense either. My family’s home in the Delaware River Watershed, with its untapped natural gas, spurred our involvement in investigating the true costs of fracking. This project aims to raise awareness about the importance of preserving our water.

FASHION WEEK DAILY: The Rise of Raye Spielberg: An Interview with the Actress8/6/2024
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Raye Spielberg’s name has been echoing through the corridors of theater and film, drawing attention to her versatility and dedication. Her breakout role in “Merry Good Enough,” a dark comedy delving into the intricacies of a dysfunctional family, showcased her ability to balance dark humor with profound emotional depth, earning her critical acclaim. Now available on Apple TV and Amazon Prime, don’t miss this hilarious portrayal. It’s a masterclass in navigating complex dynamics while capturing the subtle tensions and old habits that surface during family reunions.

Anticipation is also mounting for the psychological thriller “Pink Flags,” in which Raye takes on the role of Liberty, a figure skater entangled in a gripping and eerie cat-and-mouse game. Inspired by the urban legends that haunted her youth, Raye infuses Liberty with a chilling intensity that reflects those unsettling experiences. This role demands an extraordinary performance from her, promising to create a character that will haunt viewers long after the credits roll.
​
Brooklyn is more than just Raye’s hometown—it’s the foundation of her artistic identity. The city’s culture has shaped her vision and stoked her passion for storytelling, facilitating a smooth transition from stage to screen. Her training at the William Esper Studio under Barbara Marchant sharpened her skills, allowing her to tackle diverse roles with an authentic focus.
Collaborations with her husband, actor Sawyer Spielberg (Masters of the Air) adds an extra dimension. The duo skillfully juggle their individual projects, coming together to create incredible chemistry, while bringing unique perspectives to their joint ventures. Stories they yearn to tell that are both personal and profound.

Brooklyn is more than just Raye’s hometown—it’s the foundation of her artistic identity. The city’s culture has shaped her vision and stoked her passion for storytelling, facilitating a smooth transition from stage to screen. Her training at the William Esper Studio under Barbara Marchant sharpened her skills, allowing her to tackle diverse roles with an authentic focus.
Collaborations with her husband, actor Sawyer Spielberg (Masters of the Air) adds an extra dimension. The duo skillfully juggle their individual projects, coming together to create incredible chemistry, while bringing unique perspectives to their joint ventures. Stories they yearn to tell that are both personal and profound.

Beyond her acting career, Raye is a passionate advocate for human rights and social justice. She champions gender equality, women’s reproductive rights, and other critical issues, leveraging her platform to foster meaningful change. Her environmental PSA, A NY Body of Water, exemplifies her commitment to water conservation—a cause deeply personal to her, given her family’s ties to the Delaware River Watershed.
​
In this interview, Raye discusses her journey, the intricacies of her roles, and the causes she passionately supports.

Your career has flourished in both theater and film. How do you transition between the two mediums, and what unique challenges do each present?
RS: Transitioning between theater and film involves understanding where your audience is. In TV and film, your audience is the camera, allowing for an intimate connection because of its proximity. On stage, however, you need to project your voice and presence to reach every audience member, which requires a lot of breathwork. I relish the challenge of making that connection feel intimate in a theater setting. Acting on stage is like running a marathon, while TV and film feels like a series of intense sprints.

“Merry Good Enough” has been celebrated for its depth and dark humor. What initially attracted you to the character of Lucy, and how did you navigate her complex family dynamics?
RS: Lucy and her family felt both familiar and universally relatable. The dynamics between adult children and their parents can be complicated, filled with old habits and dysfunctions. As we grow older, these relationships aren’t something we work on daily, so reunions often lead to falling back into old patterns. Lucy’s desire for her family to be together and happy, even just enough, resonated deeply with me when I first read the script.

“Pink Flags” sounds highly anticipated. What was the most intriguing aspect of playing Liberty, and how did you prepare for the psychological intensity of the role?
RS: Growing up in NYC, I have plenty of eerie stories and encounters to draw from. Liberty is fed up and becomes a force of nature when faced with danger. I was intrigued by her raw, animalistic power and enjoyed channeling that intensity.

With a background in dance and acting, how do you integrate your physical training into your character development process?
RS: Movement is essential for my well-being and helps me process information. It’s so ingrained in me that I can’t imagine separating the dancer from the actor. Each character has their own physicality. When I play an athlete, my own athletic background naturally comes through in the role.

The environmental PSA “A NY Body of Water” showcases your commitment to social issues. What motivated you to create this project, and what impact do you hope it will have?
RS: Water is fundamental to life. Our bodies need it, and so much effort goes into protecting our freshwater resources. Contaminating it through industrial processes like fracking harms our environment and health, and it doesn’t make financial sense either. My family’s home in the Delaware River Watershed, with its untapped natural gas, spurred our involvement in investigating the true costs of fracking. This project aims to raise awareness about the importance of preserving our water.

Starring in “Leviticus” at the Edinburgh Fringe Festival must have been a landmark moment. How did this experience shape your perspective as an actor?
RS: It taught me the importance of marketing and putting yourself out there. The festival atmosphere is electric and demands a lot of self-promotion and resilience.
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“The End,” directed by Ari Selinger, features you alongside Tim Blake Nelson. Can you delve into your role and the themes the film explores?
RS: Working with Anna Chlumsky in this film was a highlight. The story explores gentrification, the clash between old and new, and the fight against greed and power in a small, rapidly developing town. My character is one of the newcomers, keen on buying property, which adds to the tension.

Your script, “The Fortune Teller’s Daughter,” is generating buzz. What inspired this story, and how do you see it evolving in the current landscape?
RS: “The Fortune Teller’s Daughter” originated from a personal story shared by my writing partner, Krista Donargo. We’ve developed this rich, dark, and humorous world over several years. We’re pitching it with Megan Rapinoe and Sue Bird’s company, A Touch More, and Heroes & Villains Entertainment. The series explores themes of loss, mental health, mother-daughter relationships, identity, and belonging through the lens of magical realism. It’s both timely and timeless.

Growing up in Brooklyn, how did the vibrant cultural scene influence your artistic journey and career choices?
RS: Brooklyn’s energy – with its street music, backyard trees, and bustling subways – shaped how I observe and interact with the world. People-watching became a favorite pastime. Brooklyn was always my refuge after a hectic day in the city, providing a necessary retreat for recharging.

Acting with your husband, Sawyer Spielberg, brings a unique dynamic to your work. How do you maintain a balance between your personal and professional lives?
RS: We’re both engrossed in our individual projects, but we cherish collaborating when it fits. Filming at different times for the same project allows us to maintain our distinct approaches while contributing to the same story.

Your rigorous training at William Esper Studio is notable. How have these experiences honed your craft and prepared you for diverse roles?
RS: Training at William Esper Studio with Barbara Marchant was transformative. It deepened my love for acting and honed my skills, making me versatile and prepared for a wide range of roles.
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In “Merry Good Enough,” you portray a character dealing with intense family issues. How did you tap into the emotional depth required for this role?
RS: Lucy felt close to my heart. It was about channeling the love I have and living truthfully in the film’s circumstances.
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Can you share an unforgettable moment or a particularly challenging scene from your performances at venues like NYC’s Cherry Lane Theatre?
RS: Performing in “Parkslope” at the Cherry Lane Theatre was hilarious. I remember struggling not to burst into laughter during some scenes.

Your dedication to environmental causes is evident. Are there other social or humanitarian issues you are passionate about and plan to address through your work?
RS: Yes, I’m passionate about human rights, women’s reproductive health and rights, and school safety and gun regulations. I’m generally rooting for the underdog.

As your star rises, how do you manage the increasing pressure and expectations within the industry while staying true to your artistic vision?
RS: I don’t have all the answers yet, but being grounded helps. I focus on doing my best and staying true to myself.

What has been the most demanding role you’ve undertaken, and what strategies did you employ to overcome its challenges?
RS: Stage roles are the most challenging. Performing at LTV was demanding but rewarding, as it pushed me to stretch my voice and project to the back of the room. On stage, there are no retakes, which require immense focus and preparation.
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Who are the key figures or mentors in your career, and how have their guidance and advice influenced your path as an actress?
I started in a world far removed from this industry, so my peers and fellow actors in classes became my biggest influences and mentors.

Reflecting on your journey, was there a pivotal moment or performance that confirmed your passion for acting? How did this experience shape your career trajectory?
RS: Seeing “Tribes” by Nina Raine at the Barrow Street Theatre in 2012 was a pivotal moment. I saw it about five times and was deeply moved. That experience cemented my desire to pursue acting for life.
Looking to the future, what are your aspirations and goals? Are there any specific roles or projects that you dream of pursuing?
RS: I’m excited to see where the next few years take me. I want to find a character I can grow with – something fun, funny, or spicy with great writing and character depth. I’d love to play a spy, an alien, or a vampire – always grounded, like in “Killing Eve,” “Orphan Black,” or “True Blood.”
Catch Raye’s rising star www.rayespielberg.com, IG @rayespielberg